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    The use of physical totems or repositories of power has always been central to the ritual process; there is a two-way flow of potential between the actor and the object, whereby the object, which has a certain mystical, semantic, ritual, etc. significance, makes its inherent power available to the wielder (who is esoterically worthy of it, ie., has prepared his environment and himself through acts of purification, defilement, arrangement, etc., such that he is in a state of eligibility of the fetish object), and at the same time through incantation, gesture, and the performance of prescribed rites the actor imbues the object at the center of the rite _with_ significance and indeed legitimizes it as an element within the ontology of the belief system in question.
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lyrics

HO CHI MINH KISSINGER

Damned! War is Hell
Trapped by inhuman enemy
Blood? I nap in blood!
No way out, as far as the eye can see
Retch at the stench
Jungle heat, pure misery
Screams lash the sky
Where was the victory sworn to me?

Life-blood
Brothers, taste my
Life-blood
Put to waste, my
Life-blood
Mother, drink my
Life-blood

HO CHI MINH KISSINGER

Burn! Rapid fire
Death comes ripping past my eyes
Gush—jungle rot
Warfare drowning out my cries
Crawl—vermin crawl
Waves of beetles, clouds of flies
Heat sweltering
One act in the play of our great demise!

Untold bloodlust
None would believe
Show your colors
Let your gun scream

Life-blood
Brothers, taste my
Life-blood
Put to waste, my
Life-blood
Mother, drink my
Life-blood

Life-blood
Brothers, taste my
Life-blood
Put to waste, my
Life-blood
Mother, drink my
Life-blood

HO CHI MINH KISSINGER!

Life-blood
Brothers, taste my
Life-blood
Put to waste, my
Life-blood
Mother, drink my
Life-blood

credits

from Old, Blackened Century, released January 19, 2010
Music: Don Blood
Lyrics: Stolas Trephinator

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Flaming Tusk New York

Flaming Tusk is metal band from Brooklyn, New York City.

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